English 10 - Quarter 3 - Lesson 13: The Mirror in the Book: A Reader-Response Critique

Interactive Lesson: A Reader-Response Critique

English 10: Quarter 3

Lesson 13: The Mirror in the Book

Lesson 13: The Mirror in the Book: A Reader-Response Critique

I. Objectives

At the end of this lesson, you will be able to:

  • Knowledge: Define reader-response critique and explain how meaning is created through the "transaction" between a text and a reader's personal experiences.
  • Skill: Analyze a poem and compose a critique by connecting the text to your own specific memories and feelings.
  • Affective: Value your own unique, personal response as a central part of analysis.

II. Introduction

Good morning, class. Have you ever read a book that everyone else loved, but you just couldn't get into it? Or, have you ever heard a song that your friends thought was 'okay,' but for you, it was world-changing and made you cry?

How can the exact same words have such a different effect on different people?

Today, we are learning about the Reader-Response Critique. It has a simple, powerful idea: You are just as important as the book you are reading. Meaning isn't just hidden in the text; it's created by your own life, memories, and feelings.

III. Definition (Key Terms) - Part 1

1. Reader-Response Critique:
A type of literary critique that focuses on the reader's personal experience, feelings, and thoughts as they interact with a text.

  • To Expand: A reader-response critic believes a text is like a "blueprint," and each reader builds a different "house" from it using the materials of their own life.

2. Personal Significance:
The unique importance, meaning, or emotional connection a text has to you based on your own life, memories, and beliefs.

III. Definition (Key Terms) - Part 2

3. Subjective vs. Objective:
Objective: A fact, separate from feelings (e.g., "The poem has 14 lines").
Subjective: Based on personal feelings or opinions (e.g., "The poem made me feel hopeful").

4. Transaction (Reader + Text = Meaning):
The key idea that meaning is a two-way event between the text's words and the reader's mind.

  • Example: The text says "home." You imagine your home. The meaning is the mix of the word and your memory.

IV. Spring Board: The Road Not Taken

Read this excerpt from Robert Frost's famous poem.

I shall be telling this with a sigh
Somewhere ages and ages hence:

Two roads diverged in a wood, and I—
I took the one less traveled by,

And that has made all the difference.

V. Essential Questions

Analyze the poem using your personal feelings.

VI. Exercise: The Response Room

Your Task: Write a short "reader-response" to the poem "The Road Not Taken."

  • What does this poem mean to me?
  • What personal feeling or memory does it trigger?

Note for Class: If we shared these, we would find many different meanings. That proves the point: Same text + Different readers = Different meanings.

VII. Generalization

Today, we learned that meaning is not a treasure hidden in the text, but a creation—a 'transaction'—that happens in our own minds.

While a Formalist asks "How is it built?", a Reader-Response critic asks "What does this mean to me?"

This skill validates your personal connection to art. It proves that your experiences and feelings are a valid and essential part of the reading process.

VIII. Evaluation

English 10 - Short Quiz No. 13

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Instructions: Choose the best answer for each question.

Result: English 10 - Short Quiz No. 13

Name:

Score:

Attempts:

IX. Additional Activity (Enrichment)

Assignment: Choose a song that has a strong personal significance to you.

Write one paragraph that is a simple reader-response critique. Do not summarize the lyrics. Instead, answer:

  • Why is this song important to you?
  • What specific memory, feeling, or personal experience does this song trigger for you that makes it meaningful?

Congratulations! You have completed Lesson 13.

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